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Jan. 2022: Portrait of an Artist — David Korevaar, piano
Jan
13

Jan. 2022: Portrait of an Artist — David Korevaar, piano

You never know where you might spot pianist David Korevaar. Pop your head into Carnegie Hall or Lincoln Center, and you might catch him. Take a hike or a trail run near Boulder, Colorado, and he might go whizzing by. Sweep through the dial on your car stereo, and you might catch him on Performance Today or St. Paul Sunday.

A pianist of extraordinary creativity and refinement, David joins WWCMF for the second time. His first? That was back in January 2021 on the festival’s Virtual Concert Hall series. So it is a joy to welcome David to Walla Walla in person and delight in his magnificent artistry. On January 13, 2022, you now know exactly where to spot him, the beautiful gallery at Foundry Vineyards in Walla Walla.

Cécile Chaminade (1857-1944) 

SONATA IN C MINOR, OP. 21

I. Allegro appassionato

Florence Price (1887-1953) 

SONATA IN E MINOR (1932)

II. Andante

Adolphus Hailstork (b. 1941)

IGNIS FATUUS

MYSTERIOUS FIRES (1976)

H. Leslie Adams (b. 1932)

ETUDE IN G

Frédéric Chopin (1810-1849)

ETUDES, OP. 25, #1-5

Artists: Timothy Christie, moderator; and David Korevaar, piano.

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June 2011: Festival Series 3
Jun
14

June 2011: Festival Series 3

Adams' Hallelujah Junction and music of Enescu, Mozart and Haydn

Festival Series III brings three centuries of chamber music to the WWCMF stage. From the outer ends of the 20th century are John Adams’ Hallelujah Junction (1998) and George Enescu’s First Rumanian Rhapsody (1901). For the Adams, will pianists Winston Choi and Xak Bjerken rouse the combined 176 hammers of the black and white keys of two pianos into a celebratory chorus of Americana Minimalism? I think not… The Enescu First Rumanian Rhapsody, full of both sentiment and dizzying virtuosity, brings to mind the antics of classic Bugs Bunny.

Balancing these works from the poles of the 20th century are works by Mozart and Haydn. The Mozart Grande Sestetto Concertante is an artful reworking of his famous Sinfonia Concertante K. 364, for violin, viola and orchestra. So deft is the transcription that the jobs of two soloists and full orchestra are carried out by just six musicians, providing an intimacy and accessibility unmatched by the large scale original. Finally, Festival Series III pays homage to the Father of the String Quartet, Franz Joseph Haydn. His Op. 71, No. 2 is a compelling example of both his unmatched elegance and his legendary wit.

Artists: Xak Bjerken, Kevin Casseday, Winston Choi, Timothy Christie, Kevin Krentz, Norbert Lewandowski, Christina McGann, Stephen Miahky, Philip Payton ,Julia Salerno, Maria Sampen and MingHuan Xu.

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